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Fantasy Art Themes
Angels in Art | Dragons in Art | Fairies in Art | Fantasy Art Galleries
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Angels in Art
About Angels

Rembrant's Holy Family

 

Raphael's Cherubs

Raphael's Cherubs

 
All About Angels

      It is hard to believe that angels ruled the universe, that they controlled gravity, could move the stars and the moons, that they could guard and protect us, or trick and deceive us. But there was a time when people thought it so, and described visitations by these celestial beings in elaborate words and vivid images. We have inherited the artistic legacy, one full of contradictions and repetitions, myth and magic. Following the path which angels have traveled is difficult yet rewarding, taking us on many rich diversions along the way. The word 'angel' gives us a clue to its meaning. Derived from the Greek angelos, it meant 'shadow side of God', 'messenger', or 'revealer of truth'. Born before humans, angels are superior to them in intelligence and status. Angels were given free will by God, those who chose good were given a state of eternal grace, those who chose evil found themselves cast out of heaven into Hell. Angels have appeared in many religions, philosophies as well as classical mythology.
      To make sense of all this clearer, we should consider the hierarchy to which angels are said to adhere. Although there are discrepancies between the theories pronounced, the general belief seems to be that angels exist within three heavenly zones.
      In the highest reside Seraphim, Cherubim and Thrones. They are in direct contact with God. Cherubim have a single pair of blue wings, are often dressed in bishop's robes and are relaters of knowledge. Seraphim have three pairs of red wings, four heads and carry flame-like swords. They emanate divine love. The Thrones are multi-eyed chariots or wheels which transport God's message. These angels are never in direct communication with humanity, they pass God's word to the second level, to the Powers and Virtues.
      The Dominions, or Powers and Virtues, are the managers of all of the angels in heaven, and they guard the pearly gates. They communicate all messages from the first triad to the third, are hugely courageous and are often called brilliant or shining, like stars. They adhere to many a description of heavenly angels in their whiteness, brighter than any white known on earth. They can be good or evil, however, and one of their jobs is to be the balancing of souls, the attempt to reconcile good and evil within mankind. These angels are said to be ruled by the Archangels, who exist in the third triad with the multitude of angels who filter God's message down to humanity.
      Who the Archangels are is hard to define, but for our purposes only six are really important, Gabriel, Michael, Metraton, Raphael, Uriel, and Satanel, all of whom make regular appearance in Western art.
      Metraton is often cited as the most important Archangel, the closest to God and the King of Angels, and one who seems to exist within many guises.
      Michael himself is a far more substantial character than Metraton. As ruler of Israel, he is protector of God's Holy Land. He is also the judge of souls and leads them into heaven. He is said to have lead the war against Satan when he rebelled in the Kingdom of Heaven, and is God's personal bodyguard.
      Michaels most startling characteristics are visual ones, making him a favourite subject for painters of religious scenes. He is always ready for battle, so often appears in soldier's armour. His wings are significant in that they are made from peacock feathers. This has created many a myth.
      Gabriel is the only Archangel often depicted as a female. Gabriel was first mentioned 500 years before Michael and she is as central to Islam as to Christianity. She told Daniel of the coming of the Messiah, Zacharias of the arrival of St. John the Baptist. When she appeared before Mohammed and revealed the Koran her wings stretched from east to west across the world. Most importantly to Christians, Gabriel told Mary of the Annunciation. Gabriel has saffron hair, yellow feet and jade green wings. She is often adorned with rubies and coral. In Islam the words, 'There is no God but God, and Mohammed is the prophet of God' are emblazoned between her eyes. Often the easiest way to spot the Archangel Gabriel in religious art is to look for the white lily, the angel holding it will be her. It is the symbol of perpetual purity, chastity and grace and she gave it to Mary at the Annunciation.
      Archangel Raphael is the healer of humans and the doctor of angels. He guards the Tree of Life and is usually shown with six wings.
      We know what Satan symbolizes, but it is worth considering that he was not always a rebel angel and that he did have a role to play in Heaven before he incited revolt. If angels are like Satan, they are capable of evil.
      As well as the Archangels, the third triad contains the angels who communicate directly with humans. They are most human in their appearance and are vulnerable to misadventure.
      The final angel we must mention is also the most chilling: the Angel of Death, who draws the soul out and steals it away. He is called Azrael. In classical mythology he has four faces and four pairs of wings, and his body is covered with eyes. It is said that when one blinks, a soul dies.
In painting, the characteristics of all these angels are not always reproduced as described above. Cultural and social context and the change in artistic intentions over the centuries have affected the way in which angels have been depicted.
      Cherubs are a classic example of this change. Originally they were seen as terrifying creatures, vile in appearance with many heads and bodies, who stood at the entrance to Paradise and guarded celestial palaces and kingdoms. But as time passed their appearance has altered and become fixed in its Renaissance state, that of curly-haired babies with wings, musical instruments, the occasional bow and arrow. About the only suggestion of their more formidable past is apparent in their sometimes devilish expressions.

From The Art of Angels and Cherubs by Miranda Fellows

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