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Fantasy Art Themes
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Fairies in Art
Origins of Fairies

        Fairies have a rich and colorful history of origins, dating back in mythology to the beginning of time. There are many legends and books written about how fairies came to be, and importance of fairy faith. Tracing the origins of fairies back in time, is a fascinating journey of human survival in the face of fear.        

  Myths and legends were created by the human imagination to make sense of the unknown and feared.
        Many legends believe that fairies are the souls of the dead, people not good enough to enter Heaven yet not bad enough for Hell. They wander the Netherland in between and are occasionally seen by humans. Along a similar theme, fairies are also believed to be angels that had been cast out of Heaven. Some fell into the sea and some onto the land, where they would do no harm if left alone.
Fairies and Animals
         There are also Christian interpretations that fairies are fallen angels. According to Alexander Carmichael in Carmina Gadelica “some of the angels seduced by Satan were not prominent in his councils, but might rather be counted his dupes. When Michael hurled the hosts of Satan out of Heaven they were followed by an almost endless stream of these comparatively innocent victims of his unholy eloquence. The Shining Host of Heaven was thinning rapidly, and the Son, seeing the danger, cried out: 'Father, Father, the City is being emptied!' God raised his hand; the gates of Heaven closed, the seduced angels stopped bewildered and recollected themselves, and those who were already descending stopped in their tracks, some in the sky, some in the sea, some on mountains and in woods, some further on their way towards Hell, in bowels of the earth, and the foremost angels, wholly committed to evil, in the burning lake.”
        The Scandinavian assessment of the fairy fate is different, and is told in a legend about Eve hiding some of her children in the woods. “After the fall Adam and Eve settled down to domesticity and were the parents of a large number of children, so many that Eve was ashamed of them. On day God, walking through the world, called on Eve and asked her to present her children to Him. Eve sent half of them to hide and brought out those she thought most presentable; but God was not deceived. 'Let those who were hidden from me, ' He said, 'be the hidden people.'”
        The Irish believe that the fairies are a previously conquered society, the Tuatha De Danaan (People of the Goddess Dana), who were driven into hiding when the Celts invaded Ireland. The Pagan gods of the Tuatha, skilled in building and magic, went underground to live in the tombs and mounds they had built. Hidden from sight, they grew smaller in the popular imagination until they turned into fairies.
         In “Theories of Fairy Origins” the author quotes Lewis Spence, who “makes a fair and detailed examination of the various theories about the origin of fairy beliefs, as spirits of the dead, deified ancestors, elementals or nature spirits, the memory of aboriginal races, diminished gods or totemic forms. He mentions but dismisses the theory that they may be a blend of all these, and in the end concludes that the weight of evidence makes it likely that the fairies are sprung from the feared and venerated dead. Many aspects of the fairy beliefs may be plausibly accounted for by this hypothesis: for instance the small size of the fairies, for in primitive times the soul was commonly thought of as a miniature form of the man which came out of his mouth in sleep or trance and had to return to the body before he could become conscious...They can take the form of birds or beasts, but every time that they resume their proper shape they are a little smaller than they were before.”
        In Wales, fairies are thought to be a race of invisible spiritual beings living in a world of their own. Some people also believe that fairies were originally local gods or nature spirits that dwindled in majesty and size over time.
         Diane Purkiss in her book, At the Bottom of the Garden, writes eloquently about fairies and their place in helping humans deal with their fear of the dark woods and universal darkness. Men and women growing up in ancient cultures faced different demons and obstacles to growing up. They both faced “Gorgo” the symbol of pure fear. Gorgo is the violent cry of those killed, the death grin, the gnashing teeth, head thrown back, howling at the sky. Warriors in Greece had to stand firm in the face of terror; only children were allowed the luxury of terror. Boys in Greece were raised to be warriors, and therefore face down “demons of the nursery.” To be a warrior is to be willing to stare down the gorgon of fear, someone who has transcended the space of childhood. Bad fairies and demons were those boys who could not grow up, because they had died young, their souls returned to capture other young souls to keep them company. Kubu is described as a Greek Peter Pan, a demon that can not face the demons to grow up. Peter Pan was a boy who could never grow up, never to be named or fed by his mother, because he had flown away, to avoid growing up. Purkiss writes, “Peter has been trapped in an endless babyhood. He is called Betwix-and-Between, a being caught between unlife and life. Like Kabu, he takes to stealing children, as he was ‘stolen’. In all his incarnations, Peter Pan is a nursery demon feared by mothers, who kidnaps children and steals them away.”
        The boy must face down his fears as a warrior and the girl does the same in ancient worlds as she grows up to face childbirth. A woman in labor can be compared to a man on the battlefield. Before there was anesthesia, and life saving hospitals, women were at the mercy of luck to survive what was a bloody, dangerous event for herself and child. Both a warrior and a woman giving birth are likely to die a young, bloody death. “Pregnant and lactating women take on the vulnerability of the child to terrors as long as their bodies are one with the body of the child. All demons preyed particularly on childbearing women and their infants. And yet childbirth and the successful rearing of the child to maturity represented a triumph over death as great as any enacted on the battlefields of Troy.”
        The female equivalent of Peter Pan is a fairy demon, in the Sumarian Culture are called ardat-lili demons, girls who died before they married or bore children, and died before completing their life. They have a thirst for other children’s blood and ardat-lili were blamed for premature births, miscarriages, and childhood deaths due to disease.
         In all near subsistence cultures the lives of children are always at risk. Fairies were a way of thinking and talking about child health and child illness, and the powerful feelings of responsibility, love and fear that such ill children could cause. Basic to all these stories is the idea that a sick child is somehow taken, somehow no longer owned by the mother who bore it but by some other mother. The fairies are too powerful to fight and they often bring benefits to the parents in exchange for taking the child away.
 

    

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