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For
the serious student of art, we suggest the following books. They
offer in depth analysis and interpretation, and will help you continue
to expand your artistic knowledge and expertise. We have personally
researched these books and can offer a confident recommendation of
their quality and content. Your purchase will enable us to continue
to expand the free resources on this site.
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Dali: The Paintings
by Gilles Neret, Robert Descharnes
This publication presents the entire painted oeuvre of Salvador Dali
(1904-1989). After many years of research, Robert Descharnes and Gilles
Neret finally located all the paintings of this highly prolific artist.
Many of the works had been inaccessible for years - in fact so many
that almost half the illustrations in this book have rarely been seen.
This is a must read for the serious student of Salvador Dali. |
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Women Artists and the Surrealist Movement
by Whitney Chadwick
Women Artists and the Surrealist Movement contains interesting and
useful biographical information, color illustrations and some of
the major female contributors to the surrealist movement including
Frieda Kahlo, Leonora Carrington, and Leonor Fini. Chadwick provides
the reader with useful biographical information that may have influenced
the artists work. Women Artists contains an easy to use index , a
list of the illustrations and their location in the book, and a brief
biography of each author. This book is a wonderful reference for
research or for personal interest. |
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William Blake : The Painter at Work
by Joyce H. Townsend
Conservation scientist Joyce H. Townsend is the Tate Museum's answer
to coroner Gus Grissom on TV's CSI. Only instead of solving murders,
she sleuths out the violence done to great art. In this book, she and
her colleagues explain the horrors time, faded pigments, and dumb owners
have visited on Blake's paintings, use a slew of high-tech techniques
to deduce his methods and open our eyes to his original intentions.
If you haven't read this book, you probably don't know what Blake's
work looks like. Skillfully employing gas chromatography-mass spectrometry,
lasers, Fourier transform infra-red spectrometry, and good old-fashioned
saliva on a cotton swab, they scrub away dirt, yellowed varnish, and
moronic overpaintings, and reveal how Blake wanted you to see. |
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Leonora Carrington: Surrealism, Alchemy And Art
by Susan L. Aberth (Author), Leonora Carrington (Author)
Anyone interested in the Art and the life of Leonora
Carrington will welcome this beautiful book. Surprisingly there is
next to nothing available about Carrington, and the few books that
are out of print only give very little information about her and not
enough illustrations of her work. Hence this book was long awaited
and is certainly the most extensive book yet published about this original,
mysterious and fascinating artist. |
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Divine Comedy of William Blake
by David Bindman, William Blake (Illustrator)
This exquisite volume contains the 102 watercolors
that Blake had been commissioned to produce to illustrate Dante's "Divine Comedy".
He worked on these watercolors for the last three years of his life
and died with the project incomplete. Even though these illustrations
are in varying degrees of completion, each is a vast treasure and
a joy to study. This is fine edition that has an introductory essay
by the editor, David Bindman. This essay and all of the captions
are given in English, German, and French side-by-side and on the
opposite page to the reproduced watercolor. The colors are rich and
beautiful and the reproductions are clear and precise. |
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A Life of Picasso: The Cubist Rebel, 1907-1916
by John Richardson
In The Cubist Rebel, the second volume of his Life
of Picasso, John Richardson reveals the young Picasso in the Baudelairean
role of “the painter of modern life”—a role that
stipulated the brothel as the noblest subject for a modern artist.
Hence his great breakthrough painting, Les Demoiselles d’Avignon,
with which this book opens. As well as portraying Picasso as a revolutionary,
Richardson analyzes the more compassionate side of his genius. The
misogynist of posthumous legend turns out to have been surprisingly
vulnerable—more often sinned against than sinning. Heartbroken
at the death of his mistress Eva, Picasso tried desperately to find
a wife. Richardson recounts the untold story of how his two great
loves of 1915–17 successively turned him down.
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Frida Kahlo
by Luis Martin Lozano
Frida Kahlo (1907-1954) was a Mexican artist whose life was nearly
as dramatic and fiery as her art. She endured a catastrophic set
of physical calamities as a child and young woman, was an active
member of the Communist Party, and survived a tempestuous marriage
to the artist Diego Rivera. This book includes many photographs of
her life alongside her extraordinary paintings, and presents commentary
by leading Mexican art historians, stunning reproductions of her
most seminal works-some never before reproduced, and nine gatefolds
allowing the reader to examine in detail aspects of her larger works. |
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Frida Kahlo: The Brush of Anguish
by Martha Zamora
This edition is a pretty good overview of Frida's life with some outstanding
colorful reproductions of her works. There is also a very satisfying
collection of photographs, both in black and white and color, to cure
the voyeur in you to see Frida as she really lived. For example, if
you enlarge the back cover shot here you can see the cigarette in her
left hand that she was apparently usually without. If you thought it
was only the pain of her life that resulted in very few photographs
of her smiling think again. The results of her heavy smoking habit
produced a poor set of teeth that were blackened and not very flaterring;
hence the rare smiling picture. The book has some rare photographs,
including one of her laughing and her hideous teeth. The text is easy
to follow and gives a whirlwind tour of Frida's life, complete with
recollections by friends and other anecdotes. Included is a chronology,
list of illustrations and a selected bibliography. |
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Max Ernst: Dada and the Dawn of Surrealism
by William A. Camfield
For all those who want to learn about the position of Max Ernst within
Surrealism this is an essential book. Scholarly essays by Werner Spies
(arguably the foremost authority on Max Ernst) and William Camfield,
who writes in fascinating detail about the transition period when the
artist moved from Dada into Surrealism. The period comes alive with
rare photographs and anecdotes about the struggles of Max Ernst to
survive in Germany after the first world war and his efforts to reach
Paris, the promised land. Max Ernst, a true pioneer of many of the
art techniques taught nowadays in artschools, such as frottage and
collage, is celebrated in this book with not only almost 200 color
plates of many of his masterpieces, but also many lesser known works
which show how he constructed his collages. Added to this are innumerable
black and white illustrations of the sources for many of his most famous
paintings. |
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Leonora Carrington: The Mexican Years: 1943-1985
by Leonora Carrington
The book tells the story of a woman ahead of her
time who ran off with Max Ernst, writes a book which Ernst illustrates
and begins a career as a writer and artist. Drawn to Surrealism, her
roots are reflective in her art with a mixture of Celtic mythology
and Christian imagery; that coupled with the influences of her life
in Mexico result in some stunning creations. Her psychic and cosmological
thematic works are an exploration of the inner working of an intuitive
artist whose bold expressions set the stage for her to associate with
Frida Kahlo and Remedios Varo and be at the forefront of women in art.
One of the highlights of this book is the interview by Paul De Angelis
which reveals the woman in complete candor as she explores her belief
systems that lie outside Western rationalism. I only wish this book
were bigger. I would recommend this book to a collector,or someone
interested in the life and works of Leonora Carrington. |
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Goya
by Werner Hofmann
"As a draftsman and painter, Goya favors
the human passions, whether uninhibited or suppressed, repressed or
repressing." Thus
does Werner Hofmann describe the essence of the vast oeuvre left behind
by Francisco Goya y Lucientes (1746-1828), pointing to the source of
its vital energy, alarming immediacy, and striking modernity.
Discussions
of Goya in recent decades have centered on his influence on nineteenth-
and twentieth-century painters. Hofmann redresses the balance, focusing
instead on the Spanish artist's profoundly disturbing imagery, and
demonstrating that Goya's modernity derives from his lifelong investigation
of what lies behind the world of appearances and convention. |
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The Secret Heresy of Hieronymus Bosch
by Lynda Harris
I read and enjoyed this book. As I see it, none
of the other interpretations (Bosch as a Catholic; Bosch as an Adamite;
Bosch as an Alchemist) ring true to the same extent. When Harris discusses
the hidden Cathar (ie, Gnostic) meanings in Bosch's paintings she exposes
hidden depths. We find convincing explanations for quirky images like
saints surrounded by devils, monsters in the Garden of Eden, the strange
unified landscapes of Hell and Earth in the Last Judgment scenes, and
the peculiar gates and the circle of animals in the Garden of Earthly
Delights, to name just a few. All Bosch's works are covered, and all
fit into the overall world-view of the Cathars. |
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